Marcus Curius Dentatus bezocht door de Samnieten by Elias van Nijmegen

Marcus Curius Dentatus bezocht door de Samnieten 1677 - 1755

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drawing, ink, pen

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portrait

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drawing

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narrative-art

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baroque

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pen sketch

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landscape

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figuration

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ink

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ink drawing experimentation

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pen

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history-painting

Dimensions height 328 mm, width 210 mm

Curator: Here we have Elias van Nijmegen’s “Marcus Curius Dentatus Visited by the Samnites,” a pen and ink drawing from the late 17th to mid-18th century. Editor: It’s a busy composition, full of figures draped in classical robes. The man sitting seems to be the focal point. What do you see in this piece that perhaps I’m missing? Curator: Beyond the immediate narrative, which illustrates Dentatus's incorruptibility, consider the deeper symbolic weight. The Samnites offer him riches, right? What do riches signify across cultures and throughout history? Think of the golden calf, the forbidden fruit… Editor: Temptation? The fleeting nature of worldly goods versus the solidity of character? Curator: Precisely! And note how van Nijmegen positions Dentatus beneath the tree, a classical motif suggesting wisdom and steadfastness. The tree, culturally, symbolizes life, knowledge, and a connection between heaven and earth. Is he elevated, grounded, or both? Editor: Both, it seems. He's offered earthly riches, but he's symbolically rooted in something greater, something timeless. What’s being tilled on the ground? Curator: Ah, there we have a detail rich in symbolism: agricultural work. Curius Dentatus preferred his simple farm life, underscoring Roman ideals of virtue found in labor and a rejection of decadence. He is portrayed in the act of declining their gifts and literally pointing back to his field and daily life. The implication is the strength and fertility of Rome are in the land. Editor: So, it's not just about personal incorruptibility but also about the source of Rome's power and virtue? The symbolism paints a broader picture. Curator: Indeed. Van Nijmegen uses this historical anecdote to comment on values. The drawing reminds us that images aren’t merely representations; they’re vessels carrying cultural memory and ideals. Editor: That makes me see this less as a historical scene and more as a commentary on enduring values. Curator: Exactly. Art invites us to unravel those threads of meaning.

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