Nytårsaften 1893. Prøveplade by Frans Schwartz

Nytårsaften 1893. Prøveplade 1893

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drawing, print, etching

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portrait

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drawing

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print

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etching

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line

Dimensions: 91 mm (height) x 61 mm (width) (plademaal)

Curator: Here we have Frans Schwartz's "Nytårsaften 1893. Prøveplade", an etching dating from 1893. Editor: It's brooding, almost oppressive. The figures seem trapped within this swirling vortex of shadow. Is it me, or does it feel unsettlingly Freudian? Curator: The composition certainly evokes a sense of psychological unease. Note the artist's deft manipulation of line and shadow; the frenetic cross-hatching intensifies the emotional charge. The figures, seemingly emerging from or sinking into darkness, speak to a profound ambivalence. Editor: Emerging, yes, but also almost being consumed. Those stark contrasts – the pallid faces against the dense black background – amplify the feeling. What's that crowning them both...some kind of halo or bizarre headgear? Curator: It reads as a symbolic aureole. If we apply a structuralist lens, this circular element suggests notions of completion and eternity, though here twisted into something unnerving by the scene's overall morbidity. We must also remember that this is a trial plate. Editor: Which adds another layer, doesn’t it? It's the artist wrestling with an idea, and the uncertainty becomes palpable. It’s not polished, it's raw. It has me thinking about the anxiety, but also the anticipation associated with a New Year's Eve at the close of the century. All of that bundled together makes for an unforgettable experience. Curator: Precisely. The lack of resolution isn't a flaw, but an essential part of its meaning. Semiotically speaking, this 'unfinishedness' functions as an allegory for the unknown future. Editor: You can say that again. It feels oddly relevant still, all these years later. Like we're always on the cusp of...something. Even looking closely at the details, there is not anything calming, there is this frantic mood present on both figures' faces. Curator: The beauty is in the unresolved tension. Editor: Agreed. It’s a dark beauty, for sure, but beauty nonetheless. It gets under your skin. Curator: It certainly gives us something to think about.

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