The Equestrian Monument, from Vedute 1735 - 1744

Canaletto made this print of an equestrian monument as part of his series *Vedute*, or "views," of Venice, using etching and engraving techniques. The monument stands as a symbol of power and authority within the Venetian Republic, and is placed in a scene of urban decay. Venice in the 18th century was a city of contrasts, celebrated for its art and culture, yet also grappling with social inequalities and political challenges. Canaletto's choice to depict the monument amidst signs of neglect may reflect a commentary on the city's decaying social structures. The print invites viewers to consider the relationship between power, representation, and the lived realities of the Venetian people. Did it critique the institutions of art? To fully understand Canaletto's work, scholars consult various resources, including historical archives, maps, and social histories of Venice. Only then can we understand how the artist engaged with the social and institutional contexts of his time.