Infantry, Prussia, 1840, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Infantry, Prussia, 1840, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, coloured-pencil, print

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portrait

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drawing

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coloured-pencil

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print

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caricature

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figuration

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coloured pencil

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watercolour illustration

Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Curator: Here we have “Infantry, Prussia, 1840” from the Military Series, an 1888 chromolithograph by Kinney Tobacco Company, originally inserted in packs of Sweet Caporal Cigarettes. Editor: My first impression is one of a rigid elegance, the stark contrast between the dark uniform and pale breeches lending a stylized air. Curator: Precisely. Kinney Brothers employed color and detailed line work to offer consumers attractive premiums that highlighted military figures of the time. These cigarette cards became quite a fad! Editor: The sword he carries almost appears as more decoration than a weapon, it adds a rather gallant aura overall. Can we really say, this dapper image is one we associate with soldiers these days? Curator: That's the clever thing about this sort of ephemera, isn’t it? It offers insight into how institutions like the military projected power and prestige at a given historical moment, which seems so very different from today. Editor: The tall, feathered hat also seems an obvious display of power—perhaps not meant to intimidate on the battlefield but more in service of pomp and display for patriotic spectacle. Curator: A spectacle directly connected with trade! Consider how this illustration collapses high-end portraiture and nationalistic fervor with everyday consumption of mass-produced products like cigarettes. The role of art is certainly always changing. Editor: Absolutely, seeing how symbols of power change function in relation to consumerism gives me a perspective of where visual culture may evolve towards in the future. Thank you! Curator: My pleasure, let's see how else our visual language might guide or mislead us.

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