Private, Baltimore, Maryland, Light Infantry, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Private, Baltimore, Maryland, Light Infantry, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Curator: At first glance, the chromatic scheme—the muted gray against the high-key fuchsia—strikes a discordant yet compelling chord. Editor: Quite so. This lithograph, entitled "Private, Baltimore, Maryland, Light Infantry," hails from Kinney Tobacco Company's 1888 Military Series, used to promote Sweet Caporal Cigarettes. Curator: Yes, the figure’s stance—rigid, almost puppet-like—conveys an ambivalent tone. The profile flattens the image, heightening the stylization and abstraction characteristic of late 19th-century printmaking. Note, too, how the diagonal composition interacts with the background to suggest confinement. Editor: I am particularly drawn to the repetitive detail. It's important to consider this artwork not as a piece of fine art but as a mass-produced advertisement, revealing much about labor, consumerism, and the use of military imagery to sell a product. The individual soldier becomes a cog in a promotional machine, mass printed and distributed for consumption. The rigid uniform underscores standardization not just of soldiers but products, and labor. Curator: That observation underscores an important binary, reminding us that form follows function. The color palette here has an organizational purpose, separating elements in order to improve legibility within a design of this kind, and within this design, semiotics play a major role: The symbol of the military might be viewed in multiple ways by a diverse viewing population. Editor: Agreed. Also note the Ukiyo-e influence here! A clear reflection of how global trade brought foreign art traditions, but ultimately molded through the manufacturing needs of consumer capitalism in a new form: the promotional collectible card. Curator: Indeed, considering these levels—material production, consumption, symbolism—provides a far richer context for interpreting its aesthetic appeal. Editor: An unexpectedly layered consideration that prompts a necessary recalibration of received assumptions.

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