Sergeant-Major, 4th Infantry, New Jersey Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Sergeant-Major, 4th Infantry, New Jersey Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

drawing, print

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portrait

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drawing

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print

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caricature

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caricature

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soldier

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genre-painting

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academic-art

Curator: I’m struck by how self-assured the figure seems in this late 19th-century portrait. Editor: It certainly has presence. There's a blend of the theatrical and the mundane here. Let's take a closer look; this print, dating to 1888, depicts a "Sergeant-Major, 4th Infantry, New Jersey Militia." It’s from a "Military Series" issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes. Curator: A cigarette card! That context is key. What reads now as a portrait of stoicism was originally meant as a commercial enticement. The iconography is fascinating, though. That helmet, the neatly pressed uniform, and the hint of stars—all build this sense of... what, aspiration? Editor: Precisely! Stars symbolize guidance, destiny, sometimes even divine protection. He holds papers...perhaps orders, perhaps correspondence? He’s literally holding his duty in his hand. Curator: The use of such a serious image for cigarette promotion creates a tension. Kinney Tobacco appropriated the symbolic weight of military service to elevate its brand, to instill values like patriotism or responsibility. It is part of the larger militarization of society in that era, as companies were competing for a masculine consumer base. Editor: Yes, this Sergeant-Major stands for far more than just himself. The red cross backdrop? Is it Swiss? It seems out of context for this officer. Curator: A bit of visual cacophony, isn't it? But then again, consumerism often thrives on pastiche and easily readable, relatable symbols. That’s also a commentary on American identity being molded, sold. It reflects a nation crafting its identity through advertising and the romanticization of civic duty. Editor: Looking closely, the artistic style is simple yet efficient—just what you'd need for mass production. He has the confident, yet slightly bored, expression. Curator: And how telling that this little collectible speaks to grand historical narratives about advertising and national identity. Editor: So a small item of printed ephemera illuminates layers of historical and symbolic depth. Fascinating.

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