Studies for the Virgin and Child (recto) by Camillo Boccaccino

Studies for the Virgin and Child (recto) c. 1532

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drawing

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portrait

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drawing

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high-renaissance

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figuration

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academic-art

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italian-renaissance

Dimensions: sheet: 40.7 × 28.7 cm (16 × 11 5/16 in.)

Copyright: National Gallery of Art: CC0 1.0

This sheet of studies for the Virgin and Child by Camillo Boccaccino presents a fascinating look into the development of a powerful, enduring image. The repeated motif of the Virgin cradling the Christ Child speaks to a deep-seated need for maternal comfort and divine protection, a theme echoing through countless cultures. This arrangement is not merely a depiction of motherhood; it's an invocation of hope, echoing images of Isis and Horus, or even earlier mother-goddess figures. The act of cradling carries profound psychological weight, embodying safety and nurturing. Consider the 'Madonna della Misericordia', where the Virgin extends her mantle to shelter the faithful. Here, the intimate gesture of holding the child has evolved into a symbol of communal solace. Through this metamorphosis, the image becomes a vessel for collective memory. It evokes a powerful, subconscious response, engaging viewers on a deeply human level. The non-linear, cyclical progression of this symbol is a testament to its enduring appeal, resurfacing, evolving, and taking on new meanings across time.

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