Huis van kardinaal Jouffroy in Luxeuil-les-Bains 1855 - 1875

This is Jules Marinier's stereoscopic card of the Huis van kardinaal Jouffroy in Luxeuil-les-Bains. The photograph presents us with a scene rendered in muted sepia tones, framed by a vibrant yellow border. The composition is neatly bisected, presenting two near-identical views intended to create a three-dimensional effect when viewed through a stereoscope. The architectural structure, a grand building with arched entryways and ornate balconies, dominates the visual field. The arrangement of figures in the foreground provides a sense of scale and depth. Marinier uses light and shadow to accentuate the textures of the stone and the intricate details of the building's facade. This work is a fascinating intersection of art, science, and social documentation. The stereoscopic format invites us to question the very nature of perception and representation. It challenges our understanding of space and perspective, prompting us to consider how the technical aspects of image-making influence our interpretation of the depicted subject. The duplication of the image, a key feature of stereoscopy, prompts us to reflect on the nature of reproduction and the dissemination of images in the 19th century.