Spotprent met Roebuck als biechtvader by John Doyle

Spotprent met Roebuck als biechtvader Possibly 1846

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drawing, lithograph, pencil, pen, charcoal

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portrait

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drawing

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light pencil work

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lithograph

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caricature

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pencil sketch

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charcoal drawing

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pencil

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pen

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charcoal

Dimensions: height 300 mm, width 445 mm

Copyright: Rijks Museum: Open Domain

Here we have a print by John Doyle depicting a confessional scene. Within the booth sits a figure resembling a priest, while two men kneel in postures of repentance. Consider the confessional itself: a space for purging secrets. This echoes ancient practices of purification through ritual. This act of confession, both religious and secular, taps into a deep-seated human need to unburden the soul. Look at the kneeling figures. Their posture mirrors countless images across cultures, symbolizing humility and submission. We see it in ancient Egyptian art, where supplicants kneel before pharaohs, and in Renaissance paintings of biblical scenes. The act of kneeling becomes a visual shorthand for acknowledging authority and seeking redemption. The enduring presence of these symbols reveals how deeply ingrained these motifs are in the collective consciousness. They resurface, evolve, and take on new meanings, reflecting our perpetual quest for meaning.

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