Hoeden maison H. v. Doorn by Reijer Stolk

Hoeden maison H. v. Doorn 1906 - 1945

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Dimensions height 146 mm, width 86 mm

Curator: Looking at this graphic work, I see a rather austere Art Nouveau sensibility, all rigid angles and stark contrasts. Editor: Yes, it certainly has a geometric precision. It almost feels like a blueprint or technical drawing. What are we looking at precisely? Curator: This is a piece entitled "Hoeden maison H. v. Doorn." It's difficult to date precisely, falling somewhere between 1906 and 1945. It’s a pen and ink drawing on paper, and the piece is held at the Rijksmuseum. Editor: Pen and ink… that’s key. It speaks to the reproductive processes available at the time, the directness of line hinting at mass production of advertisements or perhaps fashion plates. There's an implied mechanical reproduction there. Curator: The image seems straightforward enough: a fashionable woman in an elaborate hat. But what fascinates me is how the hat functions almost as a halo, framing her face and hinting at an aspirational social identity. This links directly into collective aspirations, especially relating to femininity. Editor: I see your point. However, the actual making of the hat—the labor of milliners—is entirely obscured here. We’re only presented with the image of effortless consumption, disconnected from its material origins and social dynamics. Curator: Right, this idealized presentation and consumerist depiction leaves behind any sense of historical context. And yet, there is a historical echo that connects the representation to something beyond itself. A stylized aspiration captured through symbols of adornment, wealth, and status. The hat acts as a crown… Editor: Indeed, it conceals as much as it reveals, deflecting focus from the maker to the merchandise, emphasizing an end product without addressing its journey, while simultaneously serving as an interesting representation of design meeting mass production. Curator: Exactly. In its own way it reflects the cultural values through material symbols and, by doing so, captures some underlying truths of human nature. Editor: Fascinating to think about the distance traveled from workshop to representation.

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