Memoires de Montecuculi, generalissime des troupes de l'empereur : divisés en trois livres : I. De l'art militaire en général, II. De la guerre contre le turc, III. Relation de la campagne de 1664 by Prince Raimondo Montecuccoli

Memoires de Montecuculi, generalissime des troupes de l'empereur : divisés en trois livres : I. De l'art militaire en général, II. De la guerre contre le turc, III. Relation de la campagne de 1664 1760

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gold, guilding, embossing

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textured paper

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book

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gold

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guilding

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paper texture

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embossing

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folded paper

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embossed

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design on paper

Dimensions xl, 510, [4] pages: leaves of plates, illustrations, engravings; Height: 6 11/16 in. (17 cm)

This book, *Memoires de Montecuculi*, from the 17th century, features a striking coat of arms, a visual encapsulation of power and lineage. The crest, replete with heraldic symbols, speaks volumes about identity and authority in its time. This iconography can be traced back through centuries, echoing the emblems on medieval shields and royal standards. We see similar motifs in Renaissance portraits and Baroque tapestries, each appearance subtly shifting the symbol's connotation. Think of how the eagle, a symbol of Roman imperial power, reappears in various forms throughout history, from national flags to corporate logos, embodying different aspects of leadership and dominance. Such symbols tap into our collective memory, evoking primal responses tied to authority and belonging. The enduring appeal of these images, embedded in our subconscious, creates a powerful link between past and present. The ongoing visual echoes remind us of the cyclical nature of history, where symbols are continually reborn, carrying echoes of their past into new eras.

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