Suzanna en de ouderlingen 1617 - 1619

Gerard ter Borch made this drawing, “Suzanna en de ouderlingen”, with pen in gray ink and brush in gray wash. The artist's hand is evident in every line and shade. He employed a layering technique, using the pen for precise outlines and the brush to add depth and shadow. The controlled application of the wash creates subtle gradations, giving a sense of volume to the figures. This meticulous approach allows for the expression of intense emotions on the characters’ faces, capturing the drama of the biblical scene. The tools involved, like the pen and brush, are extensions of the artist’s skill, each stroke carrying intention and meaning. In the 17th century, drawing was an essential part of artistic training. This reflects not just the artist’s skill, but also the social and cultural values placed on artistic labor and craftsmanship. Looking closely at the materials and making process gives us a deeper understanding of the artwork, and a fuller appreciation of the artist’s achievement.