Verzamelalbum met portretten verkregen bij producten van Felix Pontin by diverse vervaardigers

Verzamelalbum met portretten verkregen bij producten van Felix Pontin 1898 - 1908

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graphic-art, mixed-media, collage, photography, poster

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portrait

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graphic-art

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mixed-media

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collage

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book

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photography

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decorative-art

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poster

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modernism

Dimensions: height 238 mm, width 364 mm, thickness 33 mm, width 718 mm

Copyright: Rijks Museum: Open Domain

Editor: This is “Verzamelalbum met portretten verkregen bij producten van Felix Pontin,” made sometime between 1898 and 1908. It’s a mixed media collage, including graphic art and photography, and the album's cover seems textured like leather. It feels very much of its time, almost like a cabinet card. What stories do you think this object can tell us? Curator: Consider the format—an album, specifically designed for collecting portraits of contemporary celebrities, presumably acquired through purchasing products. Think about the symbolic weight of collecting faces, fixing them in a static arrangement. How does this act of collecting speak to the late 19th century’s obsession with fame, with documenting and classifying its luminaries? The “500 Celebrites Contemporaines” title itself suggests a desire to capture, possess, even control a wide swath of contemporary culture. Editor: That makes me think about our modern-day obsession with collecting, sharing, and archiving images, just now it’s digital. Curator: Precisely! The symbolic act of compiling a visual record speaks volumes about our anxieties about time, mortality, and legacy. An album such as this can be viewed as a collective cultural memory. The act of purchasing to complete the album signifies the blurring lines between consumer culture and celebrity worship, wouldn't you agree? Editor: Definitely. So, the portraits themselves become symbols of consumer participation and status? Curator: Absolutely. The texture, imitating reptile skin, feels significant. The connotations it evokes: of luxury, exoticism and even a touch of danger are perhaps what Pontin wanted to align with its brand image, as the container housing contemporary 'celebrities.' Editor: I see, so much is encoded even on just the cover of the album. It makes you wonder about the celebrities it contains inside. Thank you. Curator: Indeed, and it helps to see how collecting behaviors reflect our enduring fascination with capturing fleeting moments and immortalizing cultural icons.

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