Johann Willem, hertog van Saksen-Gotha sneuvelt bij Toulon by Johann Christian Koch

Johann Willem, hertog van Saksen-Gotha sneuvelt bij Toulon 1707

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metal, relief

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portrait

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baroque

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metal

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relief

Dimensions diameter 3.2 cm, weight 13.36 gr

Curator: Looking at this piece, it's vital to consider the socio-political function of commemorative medals in the 18th century. They were tools for constructing narratives, weren't they? Editor: Indeed. This metal relief, created in 1707 by Johann Christian Koch, commemorates "Johann Willem, hertog van Saksen-Gotha sneuvelt bij Toulon". The overall tone feels very formal and official, though sad at the same time. What do you see in this piece? Curator: It is formal, certainly, but also performative. How does the piece serve to bolster the image and legacy of the deceased Duke and, by extension, the ruling family? Consider how his portrait is deliberately idealized and presented within this permanent, portable, and reproducible medium. Editor: That's interesting, because it's such a small object, almost like a coin. Were these circulated widely, like propaganda? Curator: Exactly! Medals like these weren't just art objects; they functioned as historical records shaped by power. Who was the target audience for this piece? Would it primarily be consumed within the Saxon-Gotha court, or more broadly across allied states? The text etched on the reverse provides further clues. Can you read any of it? Editor: I can make out a few words here and there… something about "peace" and something that ends in "NOV. XXIII", so presumably November 23rd? Curator: Precisely. The date likely marks a key moment connected to the Duke's death near Toulon, France. These medals actively participate in constructing and disseminating the political history surrounding his death. In what ways might the medal promote peace following his death, and how can that information shape your view? Editor: It makes you consider what the "official" story was versus what actually happened. And how the family wanted him to be remembered, in relation to the war. Thanks, I now appreciate how the context and circulation mattered. Curator: Indeed. Considering these medals as both historical artifacts and artworks changes the way we perceive them, wouldn't you agree?

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