Study of a Horse for "The Fall of Gog and Magog," Boston Public Library 1895 - 1916

Curator: Here we have John Singer Sargent's "Study of a Horse for 'The Fall of Gog and Magog,'" a preparatory drawing now residing at the Harvard Art Museums. Editor: Whoa, there’s something about the sheer muscularity of that horse leg, so powerful. You can almost feel the ground trembling beneath it, can't you? Curator: Indeed. It’s interesting to see how Sargent, known for his society portraits, meticulously examined animal anatomy for his mural project at the Boston Public Library. Editor: That makes me think about how even in a chaotic scene of destruction, every detail, down to the horse's tendons, has to ring true, doesn't it? Curator: Precisely. Sargent’s dedication underscores how historical narratives, even those tinged with myth, rely on believable physicality to convey their message. Editor: It’s like he’s trying to capture not just the look, but the very essence of raw, untamed power, which is fascinating. Curator: Absolutely, it allows us a unique peek into Sargent's creative process, revealing the depth of his preparation and his commitment to grounding even fantastical narratives in reality. Editor: It’s a testament to the idea that even the smallest sketch can hold a universe of intention, doesn't it?