drawing, paper, ink, pen
drawing
narrative-art
pen sketch
landscape
figuration
paper
ink
pen-ink sketch
pen
genre-painting
italian-renaissance
Dimensions: overall: 16.3 × 24.7 cm (6 7/16 × 9 3/4 in.) support: 18.8 x 27.1 cm (7 3/8 x 10 11/16 in.)
Copyright: National Gallery of Art: CC0 1.0
Curator: Here we have "Landscape with a Boy Fishing" dating back to about 1516, an ink on paper drawing attributed to Domenico Campagnola, a prominent figure of the Italian Renaissance. Editor: It’s a sepia daydream. Like stepping into a page of a storybook, all done with the finest of lines. See that kid, legs dangling, utterly absorbed? I wonder what he’s thinking. Curator: Let us analyze the composition. The drawing is constructed using delicate pen strokes, forming intricate patterns to define space and form. Observe how Campagnola employs varied hatching techniques, especially in the foreground to build volume. The buildings are rendered with linear precision in the background. Editor: True, and that hatching gives it all such a palpable sense of texture, like you could reach out and feel the rough bark of the trees. There’s a peaceful vibe too. Like everyone in the scene has just slowed down, found their spot. Look at the rider, he’s enjoying the scenery too. Curator: It certainly captures a bucolic mood through its blending of narrative elements. There are genre painting, figuration and landscape style. But technically it pushes boundaries of Renaissance landscape drawings due to its detail and tonal range achieved through hatching techniques. Editor: What I love is the almost offhand detail of daily life thrown in there. He just tosses us these figures, gives us a little scene there in the back. That tower looks like a location where the rich spent summers. Curator: Campagnola seems intent on depicting a naturalistic, almost observed scene. Yet the scene is quite likely fabricated through constructed elements drawn from life and nature. What the drawing lacks in color it provides with varied tonality achieved through layered pen marks and detail. Editor: Exactly, he builds layer upon layer—of line, yes, but also of feeling. I think that little fisherman is calling me. Thanks for helping to notice the textures. It made this peaceful scene really come alive for me. Curator: Thank you. These landscapes really exemplify how drawing could convey a wealth of expression using solely ink and paper. A lasting technique!
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