Wederopstanding van Christus 1587 - 1589

Editor: Here we have Johann Sadeler I’s engraving, “The Resurrection of Christ,” created between 1587 and 1589. The detail achieved just through line work is striking, but the overall mood seems quite theatrical to me, almost like a stage play. What's your take? Curator: Theatrical is spot on! This piece drips with Mannerism – think drama, elongated figures, and a deliberate departure from Renaissance naturalism. See how Christ practically bursts forth, radiating light? It's less about calm divinity, more about a triumphant spectacle. Does the positioning of the guards tell you anything? Editor: They’re certainly adding to that sense of chaos, scattered every which way! It’s as if they are recoiling from a sudden shock. Curator: Precisely! Sadeler, wasn't just illustrating scripture, but crafting a visual sermon. Look at the Latin inscription, ‘Through man came death, through man came also the resurrection of the dead.' He’s driving home a theological point with every swirl of the engraver’s tool. Does it give you any insights into Sadeler's motivations, his way of working? Editor: I hadn't considered that inscription, but now the emphasis on Christ's physicality, almost athletic portrayal, reads very differently. I can see it's more than just pretty picture. Curator: It's easy to get lost in the technical mastery, but always dig a bit deeper. An artist rarely speaks in just visuals. What has been the greatest revelation for you in looking at this piece? Editor: Definitely the way the Mannerist style amplified the religious message. Curator: It’s like they’re borrowing visual exaggeration for spiritual emphasis. A great pairing!