Geseling van Christus 1587 - 1589

This engraving, made by Johann Sadeler I around 1600, depicts the flagellation of Christ. The central column, to which Christ is bound, is not merely a structural element but a symbol of his suffering and humiliation. Consider how this motif echoes through time. From ancient Roman depictions of public punishment to medieval and Renaissance art, the column or pillar often represents the fulcrum of power, inverted here to signify the abuse of authority. The act of flagellation itself is more than physical violence; it’s a ritualistic degradation. Observe how the tormentors’ gestures—the raised whips and scornful gazes—convey a primal, almost theatrical aggression. This connects us to the deep, subconscious layers of human behavior and group dynamics. The emotional impact of this scene lies in its raw display of power and helplessness. The symbols return in an endless loop, re-emerging in different forms to trigger recognition and intense emotion.