Dimensions: support: 2359 x 1740 mm
Copyright: © City and County of Denver | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Clyfford Still's "1953," housed right here at the Tate. Look at its commanding size: nearly eight feet tall! Editor: That cobalt blue is startling, like a night sky rent asunder. The jagged yellow, black, and red intrusions feel violent, primal. Curator: Still embraced abstract expressionism, emphasizing personal expression through bold color and texture. He rejected traditional representation, aiming for a more direct, emotional experience. Editor: I see a struggle enacted on the canvas. The blue, so vast, is attacked, torn apart by these other forces. A yearning for totality disrupted? Curator: Perhaps. Still's work often explores themes of isolation and the individual's struggle against societal forces, rendered here through the push and pull of color and form. Editor: It's unsettling, deeply so. The painting’s power lies in that unresolved tension, that perpetual state of becoming. Curator: Yes, it leaves us with a feeling, an echo of the artist's own turbulent inner landscape.
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‘My paintings have no titles because I do not wish them to be considered illustrations or pictorial puzzles’, Still wrote. ‘If properly made visible they speak for themselves.’ In a letter discussing this work, he explained that the red at the lower edge was intended to contrast with and therefore emphasise the depths of the blue. He saw the yellow wedge at the top as ‘a reassertion of the human context - a gesture of rejection of any authoritarian rationale or system of politico-dialectical dogma.’ Gallery label, November 2005