Fotoreproductie van een prent naar een schilderij van de veroordeling van Marie Antoinette door Paul Delaroche before 1858

This is Robert Jefferson Bingham's photographic reproduction of a print after Paul Delaroche’s painting of Marie Antoinette’s condemnation. Photography, even in its early days, was never a purely objective medium. Here, it's a method of reproducing and distributing imagery, turning unique artworks into commodities. Consider the layers of mediation: a painting, turned into a print, then re-presented as a photograph. Each step involves a skilled process. The photographer manipulates light and chemicals to capture the image, creating a new object that carries its own texture and tonal range. The choice of subject is also significant. Marie Antoinette, a symbol of aristocratic excess, meets her fate in the French Revolution. By reproducing this image, Bingham participates in a wider circulation of political ideas, using photography to amplify a narrative about power, justice, and social change. It is a reminder that even in reproduction, the materials and making process imbue an artwork with cultural meaning.