Twaalf stuiver, noodmunt uit Pernambuco, geslagen tijdens het beleg op last van de Nederlandse Westindische Compagnie by Anonymous

Twaalf stuiver, noodmunt uit Pernambuco, geslagen tijdens het beleg op last van de Nederlandse Westindische Compagnie 1654

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print, metal

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dutch-golden-age

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print

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metal

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sculpture

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islamic-art

Dimensions height 3.1 cm, width 2.9 cm, weight 5.35 gr

Editor: This object is a twelve stuiver coin, an emergency currency from Pernambuco, struck during a siege on behalf of the Dutch West India Company in 1654. The starkness of the metal and the rough, almost primitive stamp, give it such a grave aura. What strikes you most when you look at it? Curator: Immediately, I see a symbol of colonial ambition and conflict etched onto a humble piece of metal. It's a potent reminder of the human cost of economic expansion, isn't it? This coin isn't just money; it’s a claim, a representation of power imposed during a period of intense struggle for control of resources and territory. It prompts questions about the individuals who handled it: the colonizers, the colonized, the merchants, and the soldiers. Their stories are embedded in this metal. Editor: It’s almost brutal in its simplicity. Does the very shape—that harsh diamond—also hold a message, beyond mere expedience? Curator: Absolutely. The unusual shape speaks to the urgency of its creation and the disruption of established order. This divergence from traditional coin shapes symbolizes the fracture of social and economic norms under colonial pressure. The diamond, usually associated with value and stability, here reflects instability and force. Think of what it meant for those forced to accept this currency, knowing the power dynamics at play. How did it impact their daily lives and resistance efforts? Editor: So, it is not just a coin but a narrative of oppression? Curator: Precisely! By viewing it through an intersectional lens, we can explore the complicated layers of identity, power, and resilience during this historical period. It’s a prompt to explore the many-sided legacies of colonial capitalism. Editor: This makes me think differently about even the smallest artifacts; everything holds history and points to social contexts. Thank you. Curator: Indeed, objects often speak volumes, prompting critical investigations into history and our present realities.

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