Erste Radierung für die Editions ,Cahiers d´Art 1930

This etching by Kandinsky shows a world in formation—a coming-together of lines, geometric shapes, and granular textures which create a dynamic visual experience. I like to imagine Kandinsky hovering over the plate, scratching and biting the surface, building a world from the ground up with each mark. The shapes seem to float freely, unbound by gravity, yet each has its own weight. The granular textures remind me of the cosmos, adding another layer of depth to the composition. Looking at this, I feel like I’m peering into the artist’s subconscious as the forms coalesce into a vision. This piece really gets to the heart of what abstract painting is all about—artists trying to find new languages to express feelings. Kandinsky’s work wasn’t made in isolation, though, but rather was developed in conversation with artists like Hilma af Klint and Kazimir Malevich, all of whom sought to unlock the mysteries of non-representational form. It goes to show that when we open ourselves to interpretation, we create new connections and possibilities.