Untitled, State I 1934

John Ferren made this untitled print using etching, and aquatint, sometime in the mid 20th century. You know, when I look at this print, I see a bunch of shapes just hanging out. It's like they're floating in space, having a conversation with each other. Ferren uses a range of techniques here, all these lines and textures create a sense of depth and movement on an otherwise pretty flat surface. Check out that big, dark shape on the right – it's like a cloud, or a shadow, and it anchors the whole composition. Then you've got these delicate lines snaking around, connecting all the different elements. It feels like a dance, a playful back-and-forth between form and space. Ferren was part of the Abstract Expressionist movement, and like his peers, he was interested in exploring the possibilities of pure abstraction. It reminds me a little of some of Joan Miró’s etchings, in the way that the composition feels so loose and improvisational. Ultimately, this piece is all about ambiguity, so don't be afraid to bring your own interpretations to the table!