Kaart van de Ring van Putten (wapenrand) by Anonymous

Kaart van de Ring van Putten (wapenrand) 1738

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graphic-art, print, engraving

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portrait

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graphic-art

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baroque

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print

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pen sketch

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line

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engraving

Dimensions height 419 mm, width 683 mm

Curator: This is a print from 1738 titled "Kaart van de Ring van Putten (wapenrand)", created by an anonymous artist. It seems to be an engraving. What strikes you first about this piece? Editor: The visual rhythm! The repetition of forms creates a strong sense of order, a very controlled kind of aesthetic experience. Almost…oppressive, but maybe I'm projecting. Curator: I see what you mean. Let’s look closer. We see paired allegorical figures down the left side. Then, arranged in two registers, are a series of armorial crests. Each crest is named and labelled, identifying key political figures, magistrates, mayors—associated with the Ring of Putten, a historic body of local government. Editor: Ah, so the crests symbolize the individuals within the ruling structure. And each crest itself is a concentrated bundle of symbols. Take the crest labeled "Pieter van der Mersch." What is the meaning behind the crescent moon and those abstract teardrop shapes beneath it? It reminds me of alchemical symbols. Curator: Absolutely. The layering of meaning is critical. Note the swirling Baroque framework of each crest, however, almost like thorny vines encircling the shields. The interplay between organic and geometric shapes establishes an intricate composition, wouldn’t you agree? This push and pull add a layer of tension. Editor: The thorns imply authority and ownership, even control over the individuals the crests represent. Although they each present unique images, are the structures, symmetrical framing, and composition so controlled that it reduces them? What could be a source of local pride reads to me now as a statement on a social hierarchy, the effect of power and enforced visual unity. Curator: That resonates well with the style of the era. A potent display of both personal identity and state power, intertwined through image. What a compelling synthesis. Editor: It’s fascinating how the formal qualities contribute to, and maybe undermine, the symbolic messaging within each panel. A dance of power and personality on a page.

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