Interior with Woman Sewing by Wybrand Hendriks

Interior with Woman Sewing c. 1800 - 1810

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painting, oil-paint

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portrait

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painting

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oil-paint

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oil painting

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romanticism

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genre-painting

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realism

Dimensions height 34.4 cm, width 29.3 cm

Curator: Wybrand Hendriks’ oil painting, "Interior with Woman Sewing," created around 1800-1810, offers a glimpse into domestic life. Editor: It's incredibly quiet, almost haunting, don't you think? The muted palette and the woman's bowed head create a feeling of solitude and maybe a touch of melancholy. Curator: I see it more as a commentary on labor and the economics of textiles. Consider the amount of work embedded in every garment, the long hours this woman dedicates, likely to provide for her household. The painting transforms everyday labor into a commodity. Editor: True, but it also reveals gender roles of the time, and her social position. Where is the male presence, and is this her profession or only a wifely task to tend to her husband's clothing needs? The dog even seems to be awaiting her instruction to bring her material closer. It's not just the making of clothes, but the social construction of labor tied to female identity and dependence. Curator: Good point. Hendriks' masterful brushstrokes render the fabric with tactile accuracy, highlighting the varying textures of the gown, the tablecloth, even the dog's fur. He wants us to see these materials not merely as decorative elements, but as objects with real economic value and physical presence. How else do we explain that there are sewing materials strewn over an unorganized writing desk in the middle of this interior scene? Editor: I agree, this domestic scene transcends a simple depiction of daily life. Her gaze averted is a strong and silent protest; the painting allows us to analyze the interplay between power and submission inherent in these seemingly mundane scenes. Did women in the household enjoy crafting, and how much could they earn relative to the fabrics they were working with? Curator: I find myself captivated by how Hendriks portrays this specific, interior space – we’re compelled to contemplate labor conditions in domestic spheres but at an earlier period than the industrial era we typically analyze with the same metrics. Editor: And for me, it opens a dialogue on gender roles and the subtle forms of resistance that exist even within confines. Art serves as a visual text through which we see history through another's eyes, and challenge the inequalities reflected therein.

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rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

‘The devil finds work for idle hands’ is the essence of the Dutch ethic of piety and hard work. As epitomised in this scene: a sober interior with a woman sewing a hem and at the same time reading a book. A thick volume of the Dutch authorised translation of the Bible lies on a folded tablecloth, ready to be opened. Meanwhile, a dog with a ball of wool is about to break her silent concentration.

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