La première lecon ... ; Un monsieur ... ; Collé sous bande; Deux amateurs de la banlieue by Honoré Daumier

La première lecon ... ; Un monsieur ... ; Collé sous bande; Deux amateurs de la banlieue c. 19th century

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lithograph, print

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comic strip sketch

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lithograph

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print

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caricature

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romanticism

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genre-painting

Copyright: National Gallery of Art: CC0 1.0

Curator: Looking at this lithograph by Honoré Daumier, from approximately the 19th century, one can immediately appreciate its satirical nature. It's a scene depicting men playing billiards. The print consists of two different panels, and seems to have originally appeared in a publication. Editor: Absolutely. My first thought is about how Daumier uses caricature here. The exaggeration of the features, particularly the faces, sets a farcical, somewhat critical tone. I’m interested in what these exaggerated features convey about class and masculinity. Curator: Daumier’s lithographs were often social commentary, appearing in journals like "Le Charivari." They offered critiques of bourgeois society in France during the July Monarchy and beyond. Billiards, while seemingly a harmless pastime, can become a stage to analyze behaviors. Editor: It seems that through this portrayal, Daumier seeks to destabilize some aspect of 19th century social structures. How might the setting itself – the billiard room – play into this commentary? Are we looking at an elite or more common pastime? Curator: Given the attire and leisure activity, we are likely looking at middle to upper-middle class men. Daumier was quite invested in exploring the moral ambiguities and hypocrisies of this class. These visual commentaries became part of a larger discourse around class, wealth, and leisure in Parisian society. Editor: Yes, and the active participation of these individuals in leisure and entertainment should be evaluated within a setting marked by rigid economic constraints. With an interesting emphasis on social constructs and their relation to identity. Do you notice a sense of emotional aloofness that resonates within these characters? Curator: It is true. In these lithographs Daumier highlights the contrast between their leisurely pursuits and their potential moral failings, pointing toward corruption lurking beneath the surface. These prints offer viewers an accessible, entertaining way to consider pressing questions around society, ethics and progress during a time of great change. Editor: These details bring light to aspects related to the culture. What an intelligent and provocative observation through art. Curator: Indeed, a powerful visual document! Editor: For sure. It was very enjoyable.

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