print, etching
portrait
toned paper
impressionism
etching
figuration
monochrome
Dimensions height 276 mm, width 205 mm
Curator: What an exquisite etching! Mary Cassatt's "Zittende vrouw met paraplu," or "Seated Woman with Umbrella," from 1879. Editor: It feels a little melancholic, don't you think? The way she's kind of tucked away in that large dress…and the muted tones, of course. Curator: Absolutely. Cassatt beautifully captures a sense of quiet contemplation, so evocative in this monochrome print. The textures achieved through etching are incredible – see how she defines the folds of the woman’s dress? It almost vibrates. Editor: I do. It is all angles. But the overall composition feels slightly unbalanced. The figure on the right feels cut off, like she is just intruding into the scene. Curator: Ah, I perceive it more as intentionally ambiguous space; it adds to that feeling of intimacy. Consider Cassatt’s process of creation – the meticulous layering of lines, the careful control of acid biting into the plate to build depth. Editor: Methodically, yes. There's a dance of light and shadow, yet still an overall tonal uniformity achieved with layered lines. Very controlled. Was it her intention to show off technical brilliance rather than an image of genuine social or artistic expression? Curator: Not at all! Think about Cassatt's place as a female artist within the male-dominated Impressionist movement. She subverted traditional portraiture. Rather than depicting women as purely ornamental, she presents an individual lost in her private world, using formal elements to explore emotional territory. Editor: Well, there is a sense of something being captured in time; perhaps an effort to freeze her thoughts. The cross-hatching certainly gives that texture to the clothing, making it believable – wearable, almost! Curator: Precisely! Cassatt's genius lies in merging observation and emotional impact; with an economy of line, she’s handed us the key to this lady’s private musings. Editor: A tantalising prospect. This viewing, for me, revealed that even formal study could never entirely distance oneself from those feelings one derives from experiencing great works of art!
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.