Saul og David by Adolph Kittendorff

Saul og David 1880s

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lithograph, print

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pencil drawn

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photo of handprinted image

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light pencil work

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negative space

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lithograph

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print

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pencil sketch

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light coloured

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charcoal drawing

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pencil drawing

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tonal art

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remaining negative space

Dimensions: 285 mm (height) x 400 mm (width) (billedmaal)

Editor: Here we have Adolph Kittendorff's "Saul og David," a lithograph from the 1880s. There's a striking stillness in this piece. The contrast between the burdened king and the youthful David creates such a potent atmosphere. What do you see in this image, especially concerning its symbolism? Curator: Immediately, I see the archetypal weight of leadership bearing down on Saul, visually represented through his pose and the somber light. Note how David’s harp acts not merely as an instrument, but as a vessel for emotional and psychological healing. Music is the symbolic language bridging their disparate states. Consider, what emotions were commonly linked to harp music during the late 19th century? Editor: Hope, maybe? Relief from suffering, certainly in this context. I suppose it's a bit like an early form of musical therapy, right? Curator: Precisely. The image speaks to a universal longing for solace, found even in the most fraught of power dynamics. Do you see how Kittendorff has arranged David in a submissive posture? His role isn’t merely entertainment, but also, one can interpret, a containment of destructive potential within the King himself. David as the youthful 'good' quelling a potentially tyrannic power. Editor: That's a powerful interpretation. So, it's not just about easing Saul's immediate suffering, but a symbolic check on his authority too? The music becomes almost like a binding force. Curator: Indeed. And note how such binding force isn't always benign. Think of the many myths, throughout cultures, where music is employed as a coercive element. What’s compelling here is to consider whether Saul welcomes such binding as an antidote, or if his brooding is resentment to his limited liberty. Editor: I hadn't thought about it that way at all! Now I see so many more layers in their interaction, beyond the surface narrative. Curator: Indeed. This image resonates because it’s a sophisticated meditation of influence. Kittendorff delivers to us the complex cultural memory behind it, and allows it to become continuously reimagined.

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