Dimensions: support: 324 x 168 mm frame: 374 x 214 x 35 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have John Linnell's "Study of a Tree," also known as "Study from Nature," currently housed at the Tate. It's quite a striking image, almost monumental despite its modest size. What do you see in this piece? Curator: I see a powerful statement about the relationship between humanity and nature. Linnell, working during a period of intense industrialization, seems to be highlighting the enduring strength and resilience of the natural world, especially the tree, against a backdrop of societal change. Is this tree a symbol of resistance, perhaps? Editor: Resistance? That's a fascinating idea. I was simply struck by the detail in the bark. Curator: Consider the historical context: The Enclosure Acts, urbanization... Nature was becoming increasingly commodified and controlled. Linnell's detailed study could be read as a political act, a reclaiming of the value and importance of untamed nature. What do you think about that? Editor: I hadn't considered that. I appreciate how you've linked the artwork to social and political issues of the time. Thanks! Curator: My pleasure. It is important to recognize the layers and contexts within which art is created and experienced.
Comments
http://www.tate.org.uk/art/artworks/linnell-study-of-a-tree-study-from-nature-t01490
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
From about 1804 to1806 Linnell was the pupil and apprentice of the landscape painter John Varley (1778–184), an influential teacher and central figure in the development of landscape painting in England in the early nineteenth century. Linnell had met Varley’s brother William while drawing at Christie’s saleroom, and on meeting John Varley had impressed him with his talent. Linnell, then thirteen years old, persuaded his father, for whom he had been earning money by copying paintings by George Morland (1763–1804) to let him join Varley’s ‘Academy’, living with John and his brother Cornelius, also a painter, in Broad Street, Golden Square, Soho, central London.