Servia, 20 Paras, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes by W. Duke, Sons & Co.

Servia, 20 Paras, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes 1889

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drawing, print

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drawing

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toned paper

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print

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handmade artwork painting

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personal sketchbook

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coloured pencil

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traditional art medium

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men

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watercolour bleed

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watercolour illustration

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cartoon carciture

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coin

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sketchbook art

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watercolor

Dimensions Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Editor: Here we have a color print from 1889 by W. Duke, Sons & Co., part of their "Coins of All Nations" series, depicting Servia, or Serbia. It’s striking how caricatured the figure is, almost cartoonish, juxtaposed with a fairly detailed coin. What story do you think this image tells? Curator: That contrast you noticed is key. These weren’t created as “art” but as advertisements tucked into cigarette packs. Consider the political climate. Late 19th century America saw a rise in mass production and consumer culture, and brands sought increasingly creative ways to market their products. Editor: So, the bagpipe player and coin aren’t just random images? Curator: Precisely. The exoticism of a “Servian” figure, combined with a rendering of their currency, taps into a Victorian fascination with empire and global commerce. This card subtly links Duke cigarettes with that worldliness, suggesting sophistication and value to the consumer. Editor: The figure’s exaggeration feels almost…mocking? Curator: It’s a fine line, isn’t it? Caricature was common, but also a tool of power. What message does it send about cultural understanding when another country is reduced to this style? Think about the act of collecting these cards: it presents a way to accumulate the world through small, easily consumable images, further fueling cultural biases of the time. Editor: It’s troubling to think this was casual advertising. The "value 10 cents" under the coin also reminds me of the cheap exploitation behind some advertisements. Curator: These seemingly innocent images reveal deeper dynamics of cultural representation, marketing strategies, and the projection of American power through consumer goods. Editor: This was so eye-opening. Looking past the immediate imagery, I'm fascinated by the intersection of commerce and cultural perception. Curator: Absolutely. It proves even ephemeral, everyday objects like trade cards can be valuable sources for historical insight.

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