From the Girls and Children series (N65) promoting Richmond Gem Cigarettes for Allen & Ginter brand tobacco products by Allen & Ginter

From the Girls and Children series (N65) promoting Richmond Gem Cigarettes for Allen & Ginter brand tobacco products 1884 - 1891

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drawing, coloured-pencil, print

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portrait

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drawing

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coloured-pencil

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girl

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print

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caricature

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coloured pencil

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genre-painting

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portrait art

Dimensions Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm)

Editor: So, this is a print entitled "From the Girls and Children series (N65) promoting Richmond Gem Cigarettes for Allen & Ginter brand tobacco products", dating roughly from 1884 to 1891. The media include drawing, colored pencil, and print. The young child in this portrait appears to be delivering something. I'm initially struck by the unexpected juxtaposition of childhood innocence with what seems like a promotion for cigarettes. What do you make of its composition? Curator: The image is primarily interesting for its formal strategies in attracting attention to the brand it promotes. Note the carefully balanced color scheme: the muted background, the bright red stockings, the contrasted colours of the uniform—all framing the central element. This draws the viewer's gaze directly to the "Richmond Gem Cigarettes" box, rendered in a clear, legible font. It's also interesting that the composition has chosen an image of youth for a very unhealthy product, an obvious juxtaposition which has more of an effect. Do you agree? Editor: Yes, definitely a peculiar composition. Do you think the scale influences your interpretation? I wonder, as a print, how widely it would have circulated and who the primary audience was likely intended to be. Curator: The original distribution via tobacco cards indicates that the intended audience would be customers purchasing Allen & Ginter tobacco products. However, consider the composition itself—the visual rhythm created by the use of colors such as white, yellow, red and blue makes us focus on what this kid it serving us on the platter. How does this strike you? Editor: You're right. These observations have deepened my comprehension of its formal complexity. Curator: Indeed. Visual examination often offers insight far beyond surface appearances.

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