Father Saw 1832

Honoré Daumier created this lithograph during a time of political upheaval in France, in the mid-19th century. It's a period marked by shifting power dynamics, social unrest, and the rise of the bourgeoisie. The artwork is a satirical commentary on the political landscape, specifically targeting political figures of the time. Daumier uses caricature to exaggerate the physical features and behaviors of these figures, ridiculing their policies and actions. It is impossible to ignore Daumier's intersectional approach to political criticism through these caricatures. Daumier questions the status quo and invites viewers to critically examine the power structures of their society. The emotional impact is one of amusement mixed with social critique. The viewer is invited to laugh at the absurdity of the political figures, yet also reflect on the underlying issues of power, corruption, and social inequality. Daumier's work remains relevant as a reminder of the importance of freedom of expression, as a reflection of society's issues.