Selene and Endymion by Gerard de Lairesse

Selene and Endymion c. 1680

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painting, oil-paint

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allegory

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baroque

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painting

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oil-paint

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figuration

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oil painting

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history-painting

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academic-art

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nude

Dimensions height 177 cm, width 118.5 cm

Gerard de Lairesse created this rendition of Selene and Endymion with oil on canvas. Lairesse was a master of the classical style, which was very popular at the time. But it is worth considering what was actually involved in achieving the illusion of ease that you see here. The canvas itself would have been carefully prepared, stretched and primed to provide a smooth surface. The oil paints, made from ground pigments mixed with linseed oil, would have been applied in multiple layers, each meticulously blended to create a seamless effect. Lairesse would have relied on assistants to help him with the many stages of production. It took a team to produce this type of history painting, and the result embodies more than one person’s skill or vision. This painting reflects the broader economic and social structures of the time, where art production was organized much like any other industry. Ultimately, thinking about the labor involved deepens our appreciation, allowing us to see it as a product of collective effort.

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

The chaste goddess of the moon, Selene (or Diana), is in love with the shepherd Endymion. Only at night when he is asleep does she quietly creep down to him, accompanied by Cupid, whose torch symbolizes burning love. This painting was (appropriately) hung in Mary Stuart’s bedchamber in Soestdijk Palace, for Lairesse felt that the function and decoration of a room should correspond.

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