Pietà by Rosso Fiorentino

Pietà 1540

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painting, oil-paint

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portrait

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painting

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oil-paint

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sculpture

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mannerism

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figuration

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oil painting

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group-portraits

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mythology

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human

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history-painting

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italian-renaissance

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nude

Rosso Fiorentino painted this ‘Pietà’, depicting the Virgin Mary cradling the dead Christ, surrounded by mourners. Notice the emotional intensity conveyed through the figures’ gestures. Mary Magdalene cradles Christ’s feet, and their contact echoes ancient images of grief and repentance, such as the woman washing Christ’s feet with her tears. These scenes carry a legacy of collective memory, resonating with viewers across centuries. The Madonna’s pose—arms raised in anguish—is a powerful motif echoing classical depictions of lamenting figures. Think of the Niobid sculptures, for example. This gesture transcends cultures and epochs to reflect deep emotional states of sorrow and mourning. It resurfaces time and again, reminding us of shared human experiences of loss. The motif is not static; its meaning evolves, influenced by artistic movements and cultural shifts, constantly being reimagined and carrying the echoes of its past.

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