Blad met uiteenlopende encyclopedische voorstellingen 1784

Editor: This is "Blad met uiteenlopende encyclopedische voorstellingen," a print by Johann David (I) Schleuen from 1784. It's comprised of various etched scenes laid out in a grid. It's quite overwhelming, almost like a visual encyclopedia indeed! With so much visual information presented together, what stands out to you the most? Curator: What strikes me is the calculated arrangement. Schleuen’s deliberate structuring of these diverse scenes compels the viewer to actively seek connections and contrasts in form. Consider how the compositions are carefully contained in discrete cells, creating a tension between the narrative impulse within each and the static grid imposed upon them. The linework too invites consideration; note the variation in hatching density creating depth. Do you perceive a hierarchy within the scenes dictated by these graphic nuances? Editor: I do notice that some cells use finer, more detailed lines, creating greater contrast, almost like highlighting them. I also see that the compositions within some of the cells feel more dynamic, which gives them a sense of importance. Curator: Precisely. It begs the question: does the formal treatment elevate some subjects over others, irrespective of their historical significance? Notice how the play of light and shadow animates some of these compartments more than others. It’s not simply a record of historical events or natural phenomena. Editor: So it’s less about *what* is being shown and more about *how* it's being shown and how the choices of representation impact meaning? Curator: Precisely. Consider this a study in how visual form mediates content. What has impressed me is seeing you recognise these tensions and appreciate the composition of the piece as a whole. Editor: I hadn't initially considered the artist's choices in the representation of each subject in relation to one another. I guess there’s always more to unpack than initially meets the eye.