Kabuki Scene at Kumagai's Camp, from the play The Chronicle of the Battle of Ichinotani (Ichinotani futaba gunki) 1801 - 1821
print, woodblock-print
portrait
asian-art
ukiyo-e
woodblock-print
men
Dimensions Vertical ōban; Image (each): 15 1/8 × 10 1/8 in. (38.4 × 25.7 cm)
Editor: So, this is a woodblock print titled *Kabuki Scene at Kumagai's Camp* from the play *The Chronicle of the Battle of Ichinotani*. It was created sometime between 1801 and 1821 by Utagawa Kunisada. There's definitely a theatrical energy to it, and I'm curious about what's happening in this scene and its cultural background. What do you see in this piece? Curator: The floating world jumps into the wrestling ring, doesn't it? I find these Kabuki prints so deliciously artificial. Each pose is a universe of gesture and symbol, not a slice of reality but a performance. The exaggerated makeup, the dramatic fan, it’s all a language, not unlike a highly stylized dream. It's from a play about the battle of Ichinotani, but notice how the individual figures don’t interact directly? Have you ever felt utterly alone despite being in the middle of a dramatic scene? Editor: I see what you mean about the "stylized dream". There is something really staged about it, almost like snapshots from different scenes pasted together. Is that common in this style of *ukiyo-e*? Curator: Precisely! These prints often functioned as celebrity snapshots, promoting popular actors and plays. Kunisada here isolates and emphasizes specific moments and star personalities for marketing’s sake! I imagine it like today's social media hype machine: immediate, splashy, and very self-aware. Doesn’t it also remind you of the fleeting beauty that life always offers? Editor: Absolutely! Knowing it’s related to promotion changes how I see it, like a movie poster but with so much more detail and craftsmanship. Thanks for pointing that out! Curator: The pleasure is mine. We came a full circle! Who knew art promotion can become art?
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