"Elegance Democratique." A Sketch Found Near High-Wycombe by James Gillray

"Elegance Democratique." A Sketch Found Near High-Wycombe 1799

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drawing, print, etching

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portrait

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drawing

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print

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etching

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caricature

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romanticism

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genre-painting

Dimensions plate: 14 1/4 x 10 1/8 in. (36.2 x 25.7 cm) sheet: 15 1/8 x 11 3/4 in. (38.4 x 29.9 cm)

Curator: Here we have "Elegance Democratique. A Sketch Found Near High-Wycombe," a print and etching by James Gillray, dating back to 1799. Editor: It’s certainly... assertive. The figure dominates the space, doesn't he? And the caption underneath adds a layer of complexity to what seems, on the surface, like a simple portrait. Curator: Indeed. Gillray was a master of caricature, and this piece, displayed at the Metropolitan Museum of Art, exemplifies his sharp wit and political commentary through imagery. Think about the materials: etching as a medium allows for the detailed lines which constitute the subject's social presentation. Editor: You can really see the social satire in the man’s clothing – a parody of democratic ideals. That vertically striped waistcoat clashes fiercely, in my opinion, which then begs the question: How deliberate was his costuming for the context in which Gillray found him? What did ‘elegance’ mean, at that time? Curator: The use of etching makes the fine detail possible but allows the prints to be cheaply reproduced and distributed. So we might think of it in relation to political pamphlets: how were images of this sort received by the common person? What dialogue about manners and status was already circulating that informed the picture's humor? Editor: Considering the turbulent political landscape of the late 18th century, this artwork operates as social commentary. I imagine its message was clear: Democracy isn't about the people rising, but the vulgar invading traditionally held spaces of elegance and civility. Curator: It’s an incredibly charged image that reflects a deeply anxious historical moment. We often forget how rapidly fashion and taste transformed at the turn of the century as well. Editor: Absolutely. It’s a great reminder that art objects are both product and engine in complex socio-historical processes. Curator: Exactly, and what about you? Are you reconsidering anyone's outfit choices now? Editor: Perhaps! Always nice to be reminded that what we wear has political weight, still.

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