Købmand Raphael by H.P. Hansen

Købmand Raphael 1855

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print, engraving

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portrait

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print

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genre-painting

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engraving

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realism

Dimensions: 94 mm (height) x 63 mm (width) (plademaal)

Editor: Here we have H.P. Hansen's "Købmand Raphael" from 1855, an engraving on paper. There's something both humorous and poignant about this portrait. What strikes me most is its depiction of class and perhaps even social satire. How do you interpret this work? Curator: It's fascinating how Hansen captures the figure of the merchant. Given the rise of the merchant class in 19th-century Denmark, it's vital to examine this piece within that social context. His stance, clothing, and even facial expression are telling. I wonder, what does the rendering of this particular person reveal about the artist’s attitude and that of the wider culture to merchants at this time? Do you see a celebration or a critique? Editor: I initially thought it was somewhat mocking, focusing on what might have been perceived as the merchant's inflated sense of self-importance or perhaps even anxieties surrounding his place in society. Curator: Exactly. Realism in art was emerging then, wasn't it? Hansen places this "everyman" front and center, making the invisible visible. This could be a commentary on capitalism and class tensions. The detailed rendering elevates this seemingly ordinary man to the subject of fine art, opening space for dialogue about worth and representation. Considering feminist and queer theory, who got to be immortalized in art at the time and why? What statements were artists making by including underrepresented figures? Editor: It does recontextualize who gets to be seen, whose image matters, at a time when those decisions were even more limited. The engraving seems to suggest a broadening, or at least questioning, of that artistic focus. Curator: And within these subtle acts of representation lies a profound social statement. That's how art becomes a vital player in reshaping the narrative of its time. Editor: This has completely altered how I initially viewed the engraving; I'm now seeing a subtle statement regarding power dynamics during the shift toward a new socioeconomic structure. Thanks!

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