Untitled by Tsuruko Yamazaki

Untitled 1965

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painting, acrylic-paint, gestural-painting

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painting

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pop art

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acrylic-paint

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geometric pattern

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gestural-painting

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abstract pattern

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geometric

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geometric-abstraction

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abstraction

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line

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layered pattern

Copyright: Tsuruko Yamazaki,Fair Use

Curator: Here we have an untitled acrylic painting from 1965 by Tsuruko Yamazaki. Editor: Immediately, I'm struck by the frenetic energy! The diagonal stripes, the drips, and the somewhat gaudy palette create such a chaotic composition. What’s your read? Curator: I find it fascinating. Yamazaki’s work often juxtaposes rigid, geometric forms with more organic, almost playful elements. Notice how the sharp, almost aggressive, black and white stripes create a disruptive ground for these blob-like shapes rendered in vibrant reds, blues, and yellows. They evoke something primal, almost like cells dividing under a microscope. Editor: And the acrylic paint itself! The material sheen, the way the drips create a record of the painting's own making—it emphasizes process. You can almost see the artist's hand moving across the canvas. This feels less about timeless symbols and more about immediate, material experience. The surface tells a story of its creation, its history is right there! Curator: That’s insightful! It made me consider the influence of Gutai on her artistic evolution, where action and material are paramount. These drips may also symbolize change, entropy, and perhaps even fragility, given Japan’s postwar context of social upheaval and economic renewal. I’m inclined to think she is investigating visual manifestations of an almost existential tension. Editor: Maybe! Or maybe she was experimenting with new materials and pushing against the conventional definitions of art. Remember, acrylics offered new possibilities in terms of color vibrancy and drying time. Its affordances surely influenced Yamazaki's stylistic choices, as did her move into performance with transparent vinyl. The socio-economic shifts meant increased production of synthetics! It isn’t all esoteric depth. Curator: An interesting perspective. I’m not convinced, but I see how materiality also has an inherent symbolic language that can affect us directly, especially given the period in which the artwork was created. Editor: Perhaps! On second viewing, the energy and freedom of this canvas inspires and uplifts. Thank you for this art break!

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