Carambola 2008

Editor: This is "Carambola" by Beatriz Milhazes, created in 2008 using mixed media including acrylic paint and textile. It’s such a vibrant piece. The circles and geometric shapes almost seem to dance on the canvas, don’t you think? What stands out to you in terms of its composition and form? Curator: The brilliance of Milhazes’ "Carambola" resides precisely in its structured dynamism. Note how the canvas is segmented into distinct zones, each hosting a different rhythmic pattern. This segmentation doesn't fracture the composition, but rather creates a layered visual experience. How does the artist establish both visual harmony and playful disharmony among all the elements? Editor: I see how the colors definitely unify it, even though there’s so much going on. It's almost like organized chaos! Can you elaborate on that harmony through visual disharmony you mentioned? Curator: Observe the repetition of circular motifs, countered by the introduction of angular forms and varying linear patterns. The colors, predominantly vibrant and high-key, are juxtaposed strategically to create visual tension, what we can refer to as simultaneous contrast, activating a strong visual impact. Would you agree this activation constructs its formal narrative? Editor: Absolutely! The contrasting shapes and colors definitely create a push and pull. So, it's not just about the pretty colors, it's also about how those formal elements are working together to create this energy. I never really looked that closely. Curator: Precisely. This dynamic interaction, wherein colors and shapes simultaneously converge and diverge, constitutes the fundamental characteristic defining her practice. Editor: Thank you. Now I see more to consider about Milhazes' technique. It really shifts how I understand abstraction in art!