Gezicht op de Basiliek van Sint-Ambrosius in Milaan c. 1860 - 1880

This stereoscopic photograph of the Basilica of Sant'Ambrogio in Milan was captured by Giorgio Sommer, a German photographer working in Italy during the late 19th century. Sommer, who catered to the burgeoning tourist trade, here presents the Basilica not just as a sacred space but as a historical monument, deeply entwined with Milanese identity. This image invites us to consider the basilica as more than a religious structure. Think about its role in shaping local narratives and collective memory. The basilica, with its stoic architecture, stands as a silent witness to centuries of social and political change. Consider how Sommer's lens captures the architectural details, inviting viewers to reflect on the Basilica's significance not only as a place of worship, but also as a symbol of cultural heritage. How does this image invite us to consider the intersections of history, identity, and place?