Jachthond, genaamd Banco by Léon Cremière

Jachthond, genaamd Banco before 1879

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photography, gelatin-silver-print

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portrait

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still-life-photography

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photography

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gelatin-silver-print

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watercolor

Dimensions height 133 mm, width 195 mm

Curator: This gelatin silver print, believed to be created before 1879 by Léon Crémière, is entitled "Hunting Dog, Named Banco." What catches your eye initially about it? Editor: It's strangely beautiful. The muted tones lend an air of melancholy. It’s an image, almost sculptural in its stillness. But I feel immediately the presence of institutions—a commission? Scientific study? Something…purposeful. Curator: Exactly. It’s an albumen print, likely bound in a presentation album. Photography at this time was shifting between artistic practice and document. The dog itself, restrained on a short lead, suggests not so much a portrait as a specimen. Editor: Yes, but consider how carefully Crémière poses the dog, that tail erect, creating such elegant lines. Even chained, there is something triumphant there! The lighting, that soft diffusion – this elevates Banco beyond mere documentation, doesn’t it? What statement about animal use is he perhaps inadvertently making here? Curator: Or deliberately avoiding! A wealthy patron may have demanded this image as an homage, proof of ownership and the “noble” sport of hunting, something enmeshed with structures of wealth and status in this period. Yet that soft focus softens the hard edge of control and ownership, maybe a way for Crémière to show this side, ever so softly. Editor: Maybe. What does Banco see? I keep imagining this from the dog’s perspective, an uncomfortable stage. I can hear the clicking and flashes, feeling the constraint. Perhaps it’s about empathy itself, isn't it, regardless of Crémière’s true intentions? We read our feelings onto Banco now. Curator: Ultimately, it remains enigmatic. We have a snapshot of both a life and a cultural moment, mediated through the photographic lens. Crémière perhaps captured unintentionally, the ambivalence inherent to our relationship with animals within specific hierarchies. Editor: Absolutely, leaving us with much to chew over. A lovely memento mori that provokes deep thoughts on pet-owner bonds.

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