Chair (Kiti Cha Enzi) c. 19th century
carving, assemblage, wood
africain-art
16_19th-century
carving
assemblage
wood
islamic-art
decorative-art
This wooden and woven chair, created by Swahili artisans, speaks of power and prestige through its intricate design. The most striking motif is the stylized floral pattern adorning the chair's crest. These palmettes—leaf-like ornaments— are not unique to the Swahili coast. Consider its ancient roots in Egyptian and Mesopotamian art, where it symbolized the tree of life, fertility, and divine favor. We see echoes of this motif across cultures, adapted and reinterpreted to suit new contexts. The presence of this palmette resonates deeply. It evokes a subconscious longing for stability and continuity, themes central to the human experience. Its recurrence highlights our shared psychological landscape, reminding us that while forms may change, the underlying human emotions and aspirations endure. It is a testament to the cyclical nature of symbols, reborn across time and geography.
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