Bedelaar c. 1740

Simon Troger likely made this sculpture of a beggar in the 18th century from boxwood and linden wood. Look closely and you'll see that Troger has used different types of wood for this piece. Linden wood, known for its fine grain, was selected for the figure's pale skin, and the figure's clothing, as well as the base, have been carved from boxwood. The figure is presented in a state of destitution, barefoot and partly unclothed, standing upon an uneven ground. This pose isn’t simply happenstance; it's meticulously carved to evoke specific emotions. Consider the labor involved in such detailed carving. Troger’s craftsmanship speaks volumes about the social context in which he lived. While the figure represents poverty, the sculpture itself is a luxury item, commissioned no doubt by a wealthy patron. This contrast invites us to think about the complexities of class and artistic production. It also challenges our preconceived notions about what constitutes 'high art.'