Terwijl Alva vrijt met de hoer van Babylon raakt de economie van het land in verval, ca. 1572 1572

This anonymous etching, dating from around 1572, captures the political and economic turmoil in the Netherlands during the reign of the Duke of Alva. Alva, the governor of the Spanish Netherlands, is depicted here in a compromising position, his embrace of the ‘hoer van Babylon’ a potent symbol of moral and economic decay. The image serves as a commentary on power, excess, and the exploitation of the common people. It is a blatant critique of the Duke's policies and their devastating impact on the local economy. The artist uses the trope of the "Whore of Babylon," a biblical reference to corruption and decadence, to indict Alva’s governance. The etching evokes a sense of outrage and despair, the ships lie in ruins in the background as merchants and tradesmen are reduced to poverty. It reflects the intense feelings among the Dutch population, who saw their land and livelihoods ruined. The use of such a visceral image underscores the deep-seated resentment towards foreign rule and economic mismanagement. It's a powerful statement, capturing a moment of acute crisis and moral reckoning.