Study for ‘William Rush Carving His Allegorical Figure of the Schuylkill River’ 1876 - 1877

Thomas Eakins created this study for ‘William Rush Carving His Allegorical Figure of the Schuylkill River’ during a period of shifting attitudes toward the female nude in art. This painting offers a glimpse into the representation of women as both muses and subjects. The female model's exposed body contrasts with the implied artistic control of Rush, highlighting the complex dynamic between artist and model. Eakins' choice to depict the scene with a raw and honest approach challenged the traditional, often idealized, portrayals of women. It suggests a focus on realism over romanticism, mirroring broader discussions about the female body and its place in society. This study raises questions about the gaze, power, and the representation of the female form, sparking a dialogue that remains relevant in contemporary discussions about gender, art, and representation.