Borstbeeld van een oude man met baard by Philips Angel

Borstbeeld van een oude man met baard 1639 - 1683

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print, etching

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baroque

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print

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etching

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realism

Dimensions: height 55 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Editor: We’re looking at a print from sometime between 1639 and 1683, titled *Borstbeeld van een oude man met baard*, or "Bust of an old man with a beard," by Philips Angel. It’s an etching, and immediately the cross-hatching and the realism of the subject matter jump out at me. What story does this etching tell you? Curator: Well, let’s consider the social context. In 17th-century Dutch art, depictions of older people weren't just about individual portraiture. There was this fascination, bordering almost on obsession, with age and wisdom. The etching medium, relatively accessible compared to painting, meant such images circulated widely, reinforcing certain ideals about social status. Think about the role of elders in society. How might that be reflected in an image like this? Editor: It's interesting that you bring that up. Looking at the fine lines, it almost romanticizes this older figure as being a sage or a wise character. I feel like there is value that society at the time was projecting onto older individuals. Curator: Exactly! Now, what about the 'politics of imagery' at the time? Think about the emerging Dutch Republic. Who controlled the image, who had access? Etchings, while more accessible, still functioned within a specific network of patronage and trade. How might this print have been used, and what stories was it trying to communicate about authority and tradition in a time of significant social and political change? Editor: So, it's not just about this old man, it’s about how his image was a political and social tool within the wider cultural conversation? That really opens it up. Curator: Precisely. By analyzing how this etching circulated and who it represented, we get insights into the very power dynamics shaping art production. Editor: This reframes my thinking entirely! I see how crucial it is to view the art within its social framework. Thanks! Curator: It has been a thought provoking discussion. It's these intersections of art, history, and power that makes studying art so interesting.

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