Portret van Friedrich Jakob Widt by Ferdinand Stenglin

Portret van Friedrich Jakob Widt 1722 - 1799

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drawing, etching, engraving

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drawing

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baroque

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etching

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old engraving style

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caricature

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limited contrast and shading

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portrait drawing

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history-painting

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engraving

Dimensions height 376 mm, width 285 mm

Editor: Here we have Ferdinand Stenglin's "Portret van Friedrich Jakob Widt," dating to the late 18th century. It’s an etching and engraving, giving it a wonderfully crisp, formal quality. The wig is certainly the dominant feature, and there is a fascinating heraldic image. How would you interpret this portrait? Curator: Well, immediately my eye is drawn to the intricate framing - both the oval and the theatrical drape. These devices elevate Widt, placing him in a sphere of importance, perhaps even idealizing him. Do you notice how the text and heraldry add another layer? Editor: I do. It seems to ground him somewhat, with his achievements listed in a very precise manner. The text serves almost as another frame, securing Widt and identifying his status. Curator: Exactly. Portraits from this era served to immortalize not just the person, but their societal standing. Consider the wig; it's a powerful symbol. What do you think it represents? Editor: Power and status, definitely. It was a mark of the elite, signifying wealth and position. The larger, the better, right? Curator: Precisely! But it also speaks to artifice. It's a constructed identity, meticulously styled. Note the limited contrast, which reduces dimensionality but allows focus on detailing. Is Widt presented as he *is*, or as he *wants* to be seen? The slight caricature introduces a sense of humor too. Editor: I never thought of it that way, but that adds so much complexity! He's not just a face; he's a collection of carefully chosen symbols. I’m noticing all the little details in the framing. Curator: The symbols were important. These were messages intended for specific audiences who could decipher their meanings, solidifying his place in that cultural memory. Editor: I’m glad to learn to look past the wig and heraldry to explore what the artist *isn't* saying! Curator: Agreed. It is interesting how portraits reveal both the sitter and the values of their time.

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