Portret van Adam Christian Wacks 1732 - 1737

Editor: So, here we have "Portret van Adam Christian Wacks," dating back to sometime between 1732 and 1737. It’s an engraving, and it strikes me as incredibly formal, even a bit severe. The stark black and white adds to that impression. What do you see in this piece, from your perspective? Curator: You know, I get a real sense of the 18th century, all powdered wigs and pronouncements. This is a Baroque portrait, very much about conveying status. The frame itself is almost as important as the subject, wouldn't you say? I see Adam Christian Wacks was someone of importance; Director of a Gymnasium, some sort of scholar, someone wanted to show that. Do you see what looks like a family crest in the design under the portrait? I wonder what animal that’s supposed to be? Looks like antlers on… something? I always find it fascinating to look into the little details, the clues artists leave about a person’s world. It’s like a time capsule! Editor: It does seem like a statement piece. The family crest probably told people instantly who he was and where he stood in society. Do you think the artist was trying to say something beyond just status? Curator: Hmm, interesting question. I imagine the artist wanted to capture Wacks’ intelligence and gravitas. Note the gaze. Very direct. Then of course a standard portrait like this must always signal stability, importance, timelessness. This guy may be dead, but with a grand portrait like this he is not forgotten! Editor: It’s amazing how much information and subtle messaging can be packed into what seems like a simple portrait. I never thought about it as a time capsule before! Curator: Exactly! These historical works often hold far more stories than meet the eye at first glance, don't they?