Neck Band 1935 - 1942

Mary Berner made these studies for neck bands, perhaps in the late 19th or early 20th century. The approach to pattern-making here is really what sings to me. It's like she's thinking through the possibilities, working them out on paper, one tiny mark at a time. I love the way Berner used these tightly controlled lines, the geometry, and the rhythm of colour. Look at the neck band on the right – that pink zig zag against the pale grey is so delicate, but the tiny flecks of yellow and blue add a punch. The whole thing feels so tactile, like you could reach out and feel the texture of the weave. It's not trying to be flashy or complicated, just a simple, honest exploration of pattern and colour. Berner's way of working reminds me of Anni Albers, who also brought this incredible attention to detail and a real love of materials. I think Berner’s neck bands are just so satisfying, because they leave space for your own imagination.